Martial Art and Chinese Literature of China 文艺工作

Earliest literature work(文艺工作wényì gōngzuò) on the martial art or chivalrous(a chivalrous man is polite, kind, and unselfish, especially towards women) characters was Records of the Grand Historian, a masterpiece(a masterpiece is an extremely good painting, novel, film, or other work of art) from Sima Qian, the great historian in Western Han Dynasty. In the book, the sections such as Biographies of Knights-errant and Biographies of Assassins recorded the legendary characters including Jing Ke, Zhu Jia and Guo Jie in the form of historical biography.

It was not until the emergence of romantic novel in Tang Dynasty(唐朝Tángcháo) when the literature of martial arts came into being. The characters recorded in legends of Tang Dynasty were widespread in both government and the public, such as those in The Bearded Warrior, Nie Yin Niang and The Kunlun Slave.

Besides the Tang legends, the Wushu-related contents are also commonly seen in other styles, such as the poem A Song of Dagger-Dancing to a Girl Pupil of Lady Gongsun by Du Fu in Tang Dynasty. The “Legendary Weapons of China” is also frequently mentioned in Yuan drama, and the martial art described in the famous classical novels Outlaws of the Marsh, Romance of Three Kingdoms and Journey to the West should be familiar to the ears of readers.